Tag Archives: movies

Google’s Pony Express & An Objectivist Theory Of Video Games

Around midnight on April 14th, 1860, the rider on the first westbound run of the Pony Express clattered into San Francisco, California, on his horse. The mail he carried had been borne at a gallop across the desert of the American West. He was the last rider in a ten-day relay that began in St. Joseph, Missouri. Ultimately, the journey of the Pony Express would continue criss-crossing the country for eighteen months, transmitting messages about the gold rush in California, Lincoln’s inauguration, and the Civil War.

The Pony Express company conceded to the transcontinental telegraph in 1861, losing the government mail contract the company’s founders had sought. But it had forever heightened expectations of speed in letter delivery, and, of course, had gained a place in the American imagination.

155 years have passed since that day, and there was no better celebration of the Pony Express’s memory than Google’s instantly iconic doodle last week. And there was no better entity to do it: The Pony Express’s founders sought to compartmentalize and distribute a 1900 mile pilgrimage across America in order to speed up communication. Google now compresses massive amounts of data and connects billions of people in order to put a world of information at our fingertips.

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Ayn Rand, the Movies, and the Idea of America

This article was originally published at FEE.org.

Ayn Rand’s monograph “Textbook of Americanism,” now published on FEE.org, is virtually unknown. Written during a decisive turning point in history, it was delivered by Rand personally to FEE’s founder Leonard Read in 1946. The monograph represents Rand’s desire to draw stark lines between an emerging postwar collectivism and the individualism she believed built America. She joined others in pointing out that collectivism had wrought the horrors the world had just endured.

“Textbook of Americanism” also represents her worldview as it came to be shaped by her childhood experiences with communism, her early love of film as a means of artistic expression, and her perceptions about the future of freedom.

As a young student in Russia at the dawn of the Bolshevik takeover, at a small theater for silent films, Rand caught her first glimpse of the New York skyline. The silhouette burned in her mind, a symbol of creative passion and unbounded achievement, outlining the edges of her growing philosophy of individualism.

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